A few more images from the dreaming gallery 2012

These photographs are from the CIRCU performance that I saw recentley

these images are works acrylic n canvas 40 x 50 cm

Dreaming Gallery - the beginning of an illustrated book

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.

  

These works  are an ongoing investigation into the art of storytelling engaging illustrative technique and style.

My intention is that in the future, a selection of  images are to be illustrated in a document or book  that is a trilogy of visual stories. It is important to me that the stories have both personal and universal ramifications and references.

My focus is on exploring ways in which we move and operate in the world and a human need for nurturing an ability to dream. The images explore territories both mental and physical, interacting with a diversity of cultures and sub cultures gleaming knowledge through activities of the imagination and creative pursuits.

This body of work investigates the notion of carnival and or more commonly termed in our time circus or festival.

The Carnival has always been a home for the outsider, the gifted, the physical, the immigrant, the fugitive, the imaginative and the creative self.

Each work is a visual analogy of histories, experience, characters, and sites that I have been involved with in some context. More importantly, the notion that the power of the imagination, the right to dream is paramount to ones growth and development as a human and to the creative personality.

 The notion of what it is to be artist is touched upon with reference to some of the glory and pitfalls.